The Martian Chronicles
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In The Martian Chronicles, man has escape to Mars. Ray Bradbury collected the short stories he wrote during the 1950s, and structured them into a novel form. The stories are connected by a similar setting (Mars) and theme; the time sequence moves chronologically from 1999 to 2026. We can start reading at any time period because every story is able to stand on its own.
The language of Ray Bradbury is simple and almost free of scientific jargons. His dialogue can be melodramatic at times which I find rather annoying because it disrupts the atmosphere that he has drawn through his lyrical setting descriptions. Moreover, you feel the influence of Hemingway is his dialogue construction. It is effective in some of the stories like The Martian and The Silent Towns.
The Martian Chronicles is not a great literary novel (it would been wrong to read it with that mindset). My expectation wasn’t high when I bought it. And I wasn’t looking for any Nabokovian or Chekhovian or Kafkesque literariness. I wanted the novel to enlighten and expand my mind. It succeed in doing that because you began to wonder what will happened in the future if mankind has the opportunity to start a new life on Mars? Will we migrate there and leave Earth to its own disastrous fate? In the third phase of this novel (2005-2026), the nuclear war on Earth has ended and humans are restarting a new life on Mars. Today, we rarely hear of a global nuclear threat. But who knows what will happened in the future.
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